You
produced most almost all the beats on your last album,
was that the with this album?
Last album I
produced all but one song, which I co-produced with someone
else. On this album, I ended up producing the whole
record. It's not really my intent to produce a whole
record, I really thought I would get some other production,
some other cats. Sometimes the timing, or the vibe,
the direction I'm going in, turns out that I end up using
all my beats. That's what I did on this one.
As far as
guest features you mentioned Q-Unique, he's on the East
Coast, right?
Right.
How did you
end up connecting with him?
Right, right,
from the Arsonists, Uncle Howie Records and all that.
I met Q through a friend of mine, Renzo Devia who does the
whole Latination and Urban Latino TV.
Right, Renzo
runs AIM TV.
I met him through
Renz. I knew of him and met him at Renz' office, I
would say a couple years ago. We exchanged records,
and we both dug each others projects. I guess we were
just feeling each other's styles, and we had the opportunity
then to talk about doing a quick collabo. So as soon
as we could, we knocked that out, that's how that came
about.
You said that
this album was more upbeat, so how is it different from
Simple Plan, is it more radio-friendly?
I would say,
number one, the record style is completely different from
one another. It's not as bilingual as the first
record. Simple Plan consisted of maybe 40% Spanish,
40% English, and 20% bilingual. This album just has
more of an English feel to it. It's laced with Spanish
here and there, but that alone makes it more of an English
record. Second of all, I think that its just the
writing is some of my best writing. I feel that I was
able to get my point and messages across while keeping you
in that funk feel, that uptempo funk flow compared to the
other records which had a different overtone. Simple
plan was right after I left the group, it was experimental
stuff, trying different things, finding what I was gonna do
on the solo tip. How I was gonna resurface. By
the time I got to this record, I knew exactly what I wanted
to do, whereas Simple Plan (laughs), I felt I knew exactly
what I wanted to do and how to do it. I feel Simple Plan
accomplished what it was supposed to, I'm very proud
of that record, and the feedback I got was positive. But
this record, I don't feel that there's anything to explain
on this record. Play it, it gives what its all about,
no questions, plain and simple.
Why did you
decide to make this a more English-oriented album?
I don't think it
was necessary a conscious decision throughout. I think
early on, one point from a marketing standpoint, that Simple
Plan... Being that I am an independent record company, I
have to look at the marketing and those things. And as
much as I love that record, its so diverse, the language
made it kind of hard to market on either side. I
remember thinking about that, and working on this album I
thought I would keep it pretty consistent. Just blending
Spanish in, almost undetected, and then bouncing back in
English. It could have been a marketing thing, where I put
my business hat on for a minute.
"La Receta"
had been featured in movies, gotten buzz, a hot single with
hot production. Did the single build up expectations
for this new album, adding pressure?
I didn't feel any
pressure from that. Other than the natural pressure of
copying yourself, if you have that competitive nature,
outdoing yourself. La Receta was successful, got
recognized street level and commercial level, but I didn't
feel that I pressured myself to do that again or beat that.
I felt that overall I done that on this record, its a very
consistent record. I just always want to keep
improving, I want to keep making better material, I want to
gain fans as I do it. La Receta is one of those kind
of songs that kind of let my fans from the past get that
same feeling that they got when I rhymed with Delinquent
Habits. "Not So Rich and Famous," I feel that there's
songs on there that can do the same thing. LCL has
that same bilingual feel, Latin feel, still different from
La Receta but you can feel that pride when you hear it.
There's a song called "No Que No", it has some blaring
horns, but it has rapid fire Spanish. Not so
much pressure because of that one song, but pressure to keep
growing.
Are you doing
any tours to promote the new album?
Promoting this
record, like the last album, focusing on the states because
I feel its important to make some noise here. In the past we
didn't really rock the states as often as maybe we should
have. Whatever would have been good for us, I don't
think we did it enough. So I'm working on trying to
get something together. I've been on the phone with some
groups that you know, trying to get a tour going. It
looks positive, the groups I'm talking to, they're all on
board, its just a matter of mapping it out. I anticipate a
lot more shows, but I do plan on really getting out to
Europe this time. I didn't even get distribution out
there, but I know that there's a base out there To get
Europe locked down, the states, South America and beyond
including Costa Rica and Mexico.
Some people
might refer to your music as Urban Regional. You're
Black but also Mexican, do you feel that puts you in the
realm of what's considered Chicano Rap?
Being that there
are so many subgenres of all this hip hop, period, I believe
that the way I create music puts me in the realm of all of
it. Where do I categorize myself? I like to just say
that I'm a hip hop artist. But I'm also very proud and
very much aware that I'm a Latino hip hop artist. If
somebody were to say, are you following the realm of Chicano
Rap? I would say yes. If they said Latin Hip
Hop, I would say yes. I wouldn't say it myself, but if
they say it, I would say yes. The reason why I say
that is because I'm all of that. If someone wants to
put me in one subgenre, I don't think they can.
But if they feel that by doing so and breaking it down its
gonna help people understand and realize whether they might
like that vibe or not, I'll say yeah, I'm all of that.
I'm that blend that covers it all. If you like Chicano
hip hop, there are substantial listeners and fans of Chicano
rap that dig my music. If you're just a hip hop fan
period, you're going to appreciate it.
There seem to
be a lot of fans of Chicano and Latin Rap in Germany and
Japan, have you seen that while touring with Delinquent
Habits or while touring solo?
I've seen it
first hand in Japan, I've seen it many times in Germany and
a lot of Europe, including Spain. Early on it was a
little difficult, because Hip Hop was still really evolving
in those countries. It wasn't quite at the state is
now. Even though it was there, as hip hop has grown,
there are more and more artists rapping in their own
language. So they get their fix of hip hop, without a
doubt, even if it aint coming from the states or some other
country. I know that there's a very strong demand for
Latin Hip Hop and Chicano Rappers in Japan, Germany.
From my experience, where I've been and the shows I've
participated in, it's always that raw hip hop they're
looking for. The shows I've attended or been to, it's
never that mainstream top 40. I know they're looking
for raw hip hop, they're checking to see what L.A. is doing,
they're checking to see what the Chicano and Latino rappers
are doing, The demand is strong, especially in Japan.
Outside of the
music, I know you've been doing Joint Clothing, how's that
going?
It's just been
steady. It has not exploded yet, but it's always
there, the streets are always checking for what's new.
We still ship out frequently to international countries,
orders on the streets of L.A. and throughout the states.
It really is one of those things that takes a back burner,
and then I get back on it and it resurfaces with something
fresh and new. 2007, 2008 it has an enormous amount of
potential, with the help of some friends and people in the
right positions.
Aside from the
music and clothing, do you have any side ventures going on?
Currently I
don't, just really focusing on Not So Rich and Famous.
Very proud and pumped up about bringing this out there.
Joint Clothing, those two I focus on, the things I can
nurture.
You've sold
over a million albums thanks to "Tres Delinquentes", do you
still get royalty checks from that?
Yeah, its still a
trip, you definitely still see the benefits of something
that was a huge success 10 years ago. Its one of them
things - people don't lie when they say you have that one
hit and you could be set for the rest of your days.
That song wasn't quite that kind of a hit. It was a
hit, it wasn't quite the kind that set you up for life, but
my point being, there's a benefit. Something does take off
and does well, you can see a benefit for years to come.
So it's no
Aerosmith single, but you're still eating okay?
Well, you know,
there's definitely benefits. Times when you get checks
in the mail, it shows you were it all comes from, what part
of the country is using it, what it's associated with.
You get to see how it gets used. If you do get that
one track that just blows the hell up, some people can
really eat fine. Sometimes I sit back and reflect and
think of old rock fans, Zeppelin, classic stuff that gets
played, Hendrix. That stuff still plays all day, those
records will continue to sell forever. Bands that might have
had big successes five years ago, maybe you don't quite hear
about them anymore. Provided those guys are the
writers, there are still benefits. They're gonna
benefit 15 years down the road.
Speaking of
down the road, where do you see yourself 5-10 years down the
line?
Five years down
the line, I still see myself active, musically.
Creating music, recording, performing. 10 years down
the line, if the direction that I intend to take works out,
I could still see myself performing in some cases. I
want to take the artistic part of what I'm doing, the
performing part and take it to another level.
Incorporating a live element to it, but a full on live
element, not just a percussion player. Playing
everything with a live band. To actually record live.
Its just a vision, its not set up, but I can't tear my
thoughts away from it. Hopefully, Dead Silence will be
well established and supporting and putting out other
artists. A back road to these young cats that
represent the label.
I know where
the Blaxican name comes from, but how did you come up with
Kemo?
(laughs) Are you
referring to something you read online about cancer?
Yeah.
(laughs) That's
crazy. Someone called me and they're like, yo man, I
read that you have cancer, that you survived it.
That's on that one website where people get to input as much
info as they dream up, there's no verification to what you
read on that site. Really, Kemo is short for my middle
name Kimante, which is a Swahili name. My pops just
called me Kemo for short. I keep it to the credible
sites that I'm cool with and can get credible information.
So the moral
to the story, if its not on LatinRapper.com don't believe
it.
That's just what
I was gonna say, man, that's the truth. You gotta go
with the credible sites. So the fact is, you're
hearing it right here on LatinRapper.com that I never had
cancer, that's not where the name came from.
Going back to
the album, what's the significance behind the song "5th of
May?"
I wanted to
really represent as a West Coast Hip Hop artist on this
record. I made a point to make the song 5th of May,
it's really a good vibe party joint, but the reason I wrote
that song... You know how it would feel like to have a
regular rotation for myself or any other Latino hip hop
artist. It's like 5th of May, on Cinco de Mayo there's
meetings on how mainstream radio is gonna celebrate that day
to acknowledge it. Let's call up some Chicano rappers,
some Mexicans, Latinos, lets talk to them about what it
means to be Chicano. But its just for that day, just
that day you might hear a little bit more of that Latino
rapper. Its bulls**t, after that it's done, its back
to the same old same old. that was the reason why I
wrote that song. I wanted to bring some attention, to
acknowledge and call out certain areas of the games that are
neglecting areas that should be shining, that they could
shine upon.
For me its not
about "I aint getting enough attention", its not about that
at all, its about this whole movement. This whole
scene is thriving with so much rawness and talent and
diversity, yet the main cats that can really help to bring
this out, and not only will they be helping the artists, but
helping hip hop period. The main radio stations are
supposed to be the hip hop source for all the listeners.
But its so skewed, playing a limited amount of music.
Its not because I want there to be just one Latino rap radio
station that plays only Latin all day, I'm talking about
playing more music, giving the fans more than the limited
amount they feed them. There's so much out there, you
can't play everybody, but you can definitely expand on what
you're doing.
If you're in Los
Angeles, you might have a song every five years that hits,
but there's about five other songs out there that you can
add to the mix. Your fans will appreciate that,
especially over here, where most of the listeners are
Latinos. They're the ones paying the bills, the
reason why why the advertisers advertise what they do.
L.A. is one of the only cities that doesn't support its own
artists that much. You can go to other cities across
the country and hear artists from their area mixed in with
everything else. Aside from a few mix shows and
specialty shows, Julio G's West coast radio show, mix shows,
Heavy Hitters and all, Friday nights, that's the only time
you get that diversity. West coast radio needs to take
a look around and support their rappers. I don't even
blame the DJs or the on air personalities, its the corporate
mobsters.
Any last
message for fans?
My message to all
my fans is thank you for all the support, throughout all the
years. Picking up the records, supporting me through
Simple Plan. Pick this record up, tell a friend,
support that raw hip hop.
Official
Website:
http://www.kemotheblaxican.com
Kemo on Myspace:
http://www.myspace.com/kemotheblaxican