The reggaetón and Latin hip-hop movements are rapidly
merging into the mainstream of American music and media, and
Tego's innovative style, street credibility, and charismatic
presence have already made him a cultural icon, placing him
at the leading edge of the vibrant new urban-driven Latin
scene. Atlantic is committed to the aggressive development
of Latin artists, nurturing their music and broadening their
reach into the global mainstream. The signing of Tego is a
proud moment in Atlantic history, signaling our enthusiasm
and our long-term belief in this boundary-crossing music."
"This is a new stage in my life, and I am very excited about
my venture with Atlantic Records," stated Tego Calderón. "I
have the freedom I have been looking for, and I am proud to
have Atlantic's and Craig's support backing me up with a
team that believes in me. For the first time, I feel like I
have control of my career."
Born and raised in Puerto Rico, Tego Calderón - AKA "El
Abayarde" - has earned international acclaim for his unique
musical style, which mixes salsa and Afro-Caribbean rhythms
with hip-hop and dancehall reggae influences. Lyrically, he
has forged a revolutionary flow inspired by his authentic
street roots, creating a social chronicle that openly
addresses such issues as racism, poverty, and class
oppression. Combining hip '60s slang with modern urban
language, and set apart by his unmistakable Afro hairstyle
and captivating stage presence, Calderón's appeal transcends
economic, social, and age barriers, as he creates music with
truly universal appeal.
Among Calderón's achievements are Latin Grammy and Billboard
award nominations, the 2004 Source Hip-Hop Music Award for
International Artist of the Year, a Tu Música award, and
nominations for La Gente and Lo Nuestro awards. Calderón's
debut was followed in January 2004 by a remix collection
entitled "EL ENEMY DE LOS GUASÍBIRI." Primarily a
compilation of material recorded prior to the launch of his
solo career, its heavy street influence reflected Calderón's
belief that traditional salsa music needed to be in closer
touch with the reality of the young Latin audience.