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Illegal Tender
Movie Review
Review by Compay for
LatinRapper.com
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From producer John Singleton (Hustle & Flow, Boyz N The
Hood) and writer/director Franc Reyes (Empire) comes a
story of one family's fight for survival against the
backdrop of the East Coast and Puerto Rico. Wilson Deleon
Jr. (Rick Gonzalez) is the son of a slain drug dealer,
whose killers still have the intention of wiping out the
rest of the Deleon family 20 years later. After his
family's location is discovered, Wilson is thrust into a
situation in which he must either leave his home and love
interest, or confront his assailants while learning more
about the father he never knew. |
Few movies that made it to the big screen in recent years have
focused on Latino characters, let alone with a complete
leading cast of Latin-American actors and actresses. Illegal
Tender proves that it's far from the typical straight-to-DVD
fare that fans of Latino-related films are accustomed to, but
it still comes off as something of a novelty that caters
itself to Latin filmgoers.
The film begins with a basic introduction into the life of
Wilson Deleon Sr. (Manny Perez), a Bronx drug dealer and
mid-level boss with enough heart to portray him as something
other than a one-dimensional thug. Perez doesn't disappoint,
though the "look how Puerto Rican we are" references go from
valid during a bodega visit to slightly overdone by the time
the family enjoys flan over discussions of "Iris Chacon"
jeans. This also rings true of the gratuitous cleavage shots
of Latinas counting drug money; while I can't complain about
the eye candy, it comes off more as a throwback to an
Univision sitcom than a featured film.
After Deleon Sr. is killed, the audience gets an update on how
his wife and two sons are living in the Connecticut burbs 20
years later. Unfortunately, we're not given much backstory in
the way of who Wilson DeLeon Jr. is, beyond being a top-notch
student with a touch of urban flair and a sexy Dominicana on
his arm (portrayed by Dania Ramirez). When his mother Millie
(Wanda De Jesús) is recognized by an underworld acquaintance
associated with her husband's killing, flight with Wilson Jr.
and his younger brother becomes imminent. Bit by bit, Wilson
is given the abbreviated version of who his family's would-be
killers are as well as their motives, yet he still dwells on a
puzzle which is missing some obvious pieces. Amidst shootouts
with foes, his search for the truth and a means of ending the
decades-old beef leads him to Puerto Rico in search of his
father's history and the man responsible for his demise.
The good news is that Illegal Tender is well-directed,
visually stimulating with a musical score that's on point. The
downside is that the quality of acting is inconsistent, and
there are plot holes big enough for Diego Maradona to stumble
through. Not until halfway through the film does Wilson Jr.
question how an unemployed mother of two is able to buy homes
with cash and keep him behind the wheel of the latest whip.
Apparently the suburbs of Connecticut (where all of their
enemies coincidentally decide to settle down) are also no
different than the projects, in that it takes the police hours
after a shootout to make an appearance. The idea that drug
wives were investing in Microsoft before the personal computer
boom is painfully unbelievable, even something as clichéd as a
lottery win would have been more acceptable to the audience.
Rick Gonzalez is believable as a shook college kid far removed
from a lifestyle of violence, but as the movie progresses and
Wilson Jr. plunges deeper into the lion's den, he seems to put
too much thought into his acting. Reggaeton heads were eagerly
anticipating the film debut of Puerto Rico's own Tego
Calderon. Fortunately for Illegal Tender el Abayarde
demonstrates that his transition to the movies isn't a
gimmick, for being a new jack to movies he makes the film more
enjoyable. You'd be hard pressed to find a Hip Hop aficionado
who hasn't subjected themselves to sub-part acting from
rappers who should stick to the recording booth. But Tego, who
plays Puerto Rican drug boss Choco, effectively carries his
role as a serious gangster sporting a mischievous grin without
having to overplay himself as a tough guy. More importantly is
the significance of a well known Afro-Latino being cast in a
leading role, while many of the major characters are portrayed
by Latinos noticeably of African descent, Tego's trademark
afro leaves no room for confusion. Hopefully in the future
Afro-Latinos are continued to be cast in positive roles,
rather than only those of criminals.
Illegal Tender is fortunate enough to have a cast of
experienced actors, although none of the performances reach
out and grab you save for that of Wanda De Jesus, who plays
Wilson Jr.'s mother, Millie. Despite having relatively dull
dialogues to work with, De Jesus nails the part of a
protective mom who would do anything for the welfare of her
children, and continues to function throughout the pain and
fear that she is subjected to. The film seems to perpetuate
the "Spicy Latina" stereotype, from the outfits of most of
Latina background characters, to the scantily clad vixens at
the beaches and clubs of Puerto Rico. It's thus refreshing
that the lead actress, despite being an absolute knockout in
her forties, brings substance to the role rather than being
relegated to play just another hot yet shallow Latina M.I.L.F.
For anyone that's been to Puerto Rico, the shots of Old San
Juan are enough to put a smile on your face, and its a plus
that non-Latinos will have more exposure to Spanish rap and
reggaeton via the movie's score. While Reyes could have done
better with the all too familiar "stern girlfriend's dad" and
"simple local guy who knows everything" roles, he does score
points with a few multidimensional characters. While the plot
itself is average at best, there's enough of a surprise twist
towards the conclusion to make the story interesting.
The verdict: Illegal Tender lacks the gritty feel of hood
classics like Juice, but its definitely not your average
straight to video urban flick. What the movie lacks in quality
dialogue, it makes up for in visuals and a few laugh out loud
moments. It's worth being checked out in theaters by Latinos,
who will appreciate a realistic-looking Caribbean cast, but
who may also roll their eyes at the occasional
oversimplification of Puerto Rican culture and women. I can't
shake the feeling that the film was green lighted on the
strength of Latinos being all but guaranteed to cop the DVD.
But I also believe that Franc Reyes was trying to honestly
illustrate the power of love between Latinos and their family,
and the lengths that they will go to in the name of
preservation or redemption.
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