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In ‘99, T.S.
dropped their self-titled debut album to mixed reviews
and lackluster sales. Despite this, the album was
largely appreciated by diehard fans of Pun and the
lyrical interactions of other T.S. affiliates. After
Pun's passing as well as the departure of Pun's best
friends Triple Seis and Cuban Link, the future of T.S.
seemed on shaky ground. The ensuing change was the
addition of Boricua crooner Tony Sunshine and Pun's
female protege Remy Martin.
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True Story is a
12 track effort by T.S. to pick up where things left
off, hyped by existing group members as being several
times better than the original album.
At first listen, it's clear that this album is certainly
more radio-friendly than the first, but as a whole it
doesn't compete with the original T.S. release. Most
of the production by Cool and Dre is on the money, other
contributions by DJ Khaled, Scram Jones, Streetrunner, Lord
Finesse and Geddy likewise offer an eclectic variety of
fresh beats just like the debut album.
"Lean Back" is inarguably one of the hotter singles to hit
radio this summer thanks to blazing production courtesy of
Scott Storch. "Lean Back", along with "Yeah, Yeah, Yeah",
has helped create a buzz which will ensure that this
project gets more radio spins than the previous, yet the
remainder of the album still doesn't compensate for the
disparity in quality between the first and latest
release. True Story is
kept afloat largely by the contributions of the very
talented Remy Ma, the only artist to get an equal number of
appearances as Joe Crack.
Fat Joe spits on the majority of the album, no doubt the
result of his recognition in the music world and his
overseeing of the project. Those listeners expecting a flow
akin to "All I Need" will find themselves a bit surprised,
as his delivery now comes off a little too forced. The
album's biggest brick is undeniably "Take Me Home", with Joe
doing an unnecessary LL Cool J (circa late '80s) imitation,
seconded only by "Let Them Things Go", a track that comes
off more like a bootleg Neptunes/Pharrell joint and doesn't
seem to have a place amongst other tracks on the album.
In an attempt that almost seems to capitalize on Pun's
memory, Pun and Big L's vocals are laid over guitar riffs in
"Bring ‘Em Back". Regardless of fan opinions over whether
Seis and Cuban's absence from the album has affected the
group, its glaringly obvious that a T.S. album simply isn't
an album without Pun actively contributing; this alone was
the forewarning indicator that True Story wouldn't surpass
the original T.S. project in overall quality.
Most surprising about True Story is the lack of
contributions by Tony Sunshine, Armageddon and Prospect.
It's quite possibly that Tony is simply gearing up for his
solo release slated for later this year, yet he brilliantly
flexes his vocals most on "Streets of New York", his singing
a throwback to the soulful sound of the 60's. Tony
captivated listeners with his singing on the Pun Classic
"100%" and countless other tracks, yet as of late he has
achieved a surprisingly warmer sound with greater range.
Armageddon, arguably the best lyricist of 2004's Terror
Squad, no longer has the hard-hitting delivery as
demonstrated in Joe's first albums and the first T.S.
release, yet still holds his own in True Story. He rhymes
solo with Tony singing the hook in "Pass Away", a heartfelt
track that is the answer to the first T.S. album's classic
"As the World Turns". Both Armageddon and Prospect
offer more introspective lyrics with this LP, a refreshing
change to the formulas by countless other groups that
sometimes suffocate hip hop.
Prospect remains probably the most consistent artist in T.S.,
which is unfortunate considering he is only given the
opportunity to shine on two tracks, including his solo
"Thunder in the Air". Were Prospect and Geddy given more
opportunities to flex on this album, it would have given
fans of the original T.S. a lot more to look forward to. The
track that is sure to please Terror Squad fans is "Hum
Drum", with Pros, Geddy and Remy rumbling over a sick beat
that just begs for head nodding.
True Story isn't a solid effort yet still remains a good
album, a radio friendly project that will keep mainstream
fans happy. Otherwise, True Story will prove a
disappointment to those who own the first T.S. album. The
absence of Pun, Cuban and Seis coupled with the lack of
contributions by Pros and Geddy will leave most original
fans like LLoyd Banks: hungry for more.
Which album is
better, True Story or the first?
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order "True Story" online @ CD Universe
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